Anatomies of Narrative Criticism: The Past, Present, and by Tom Thatcher, Stephen D. Moore PDF

By Tom Thatcher, Stephen D. Moore

ISBN-10: 1589833708

ISBN-13: 9781589833708

ISBN-10: 1589833716

ISBN-13: 9781589833715

Reflecting at the twenty-fifth anniversary of Alan Culpepper's milestone "Anatomy of the Fourth Gospel" (1983), "Anatomies of Narrative feedback" explores present developments within the learn of the Gospel of John as literature. The members to the quantity characterize a variety of methodological ways that every one discover ways in which modern readers generate which means from John's tale of Jesus. The e-book contains an creation to narrative-critical stories of John; essays on particular topics and passages that target interpretation of the textual content, heritage of analysis, hermeneutical techniques, and destiny tendencies in examine; and, a reflective reaction from Alan Culpepper. total, the booklet seeks to track the heritage and venture the way forward for the research of the Bible as narrative.

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Additional resources for Anatomies of Narrative Criticism: The Past, Present, and Futures of the Fourth Gospel as Literature (Resources for Biblical Study)

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The narrator is critical to the overall rhetorical effect of the Fourth Gospel simply because the narrator provides all the information and tells the reader how to interpret this data. Further, John’s narrator was critical to Culpepper’s reading because the narrator essentially replaced redactors, editors, and real-world authors as the sole arbiter of the text’s meaning. “Plot” and “Character” in the Fourth Gospel After summarizing Chatman’s model for narrative communication, Culpepper assured his own readers that a literary-critical approach would reveal “fresh insights and an enhanced appreciation for the way the gospel [of John] shapes the reader’s production of its message” (1983, 8).

For example, when Jesus, standing in the courts of the Jerusalem temple, invites a group of unbelieving Jews to “destroy this temple, and in three days I will raise it up,” the narrator immediately breaks in to clarify that Jesus was actually referring to his impending resurrection (2:19–22). The narrator is critical to the overall rhetorical effect of the Fourth Gospel simply because the narrator provides all the information and tells the reader how to interpret this data. Further, John’s narrator was critical to Culpepper’s reading because the narrator essentially replaced redactors, editors, and real-world authors as the sole arbiter of the text’s meaning.

Put another way, if Chatman is correct that the thatcher: Anatomies of the Fourth Gospel 29 meaning of a narrative lies in the interplay between its story and discourse levels, and if he is also correct that the story level must be inferred by individual readers from information provided in the discourse, then one may conclude that the meaning of any narrative is actually a product of the reader’s creativity. If, for example, John’s story of the healing at Bethesda is meaningful on the basis of the interplay between the text itself and the story world behind that text, and if I as a reader must imagine that story world and all the things within it, then the “meaning” of John 5:1–10 ultimately lies in my own imagination and not in anything on the pages of my Bible.

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Anatomies of Narrative Criticism: The Past, Present, and Futures of the Fourth Gospel as Literature (Resources for Biblical Study) by Tom Thatcher, Stephen D. Moore


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